Tonmeister: Award-winning and nominated Tonmeister graduates
The Tonmeister course has been running for over 50 years, and many of its graduates have gone on to outstanding careers. As evidence of this success, below is a list of just some of the nominations and awards for work that Tonmeisters have been involved in.
There are lots listed here, but it's unlikely to be an exhaustive list. If you know any we've missed, please let us know.
2025
- Music Producers Guild award nomination: Breakthrough Engineer of the Year - Animesh Raval
- Music Producers Guild award nomination: Recording Engineer of the Year - Katie May
- Music Producers Guild award nomination: Mix Engineer of the Year - Oli Jacobs
- Music Producers Guild award nomination: Mastering Engineer of the Year - Cicley Balston
- Music Producers Guild award nomination: Unsung Hero of the Year - AIR Studio Assistants Team (including Jack Mills, Ashley Andrew-Jones, Rebecca Hordern, Eve Morris, Wil Jones, and Adam Magson)
- Music Producers Guild award nomination: Original Score Recording of the Year - Ferrari, mixed by Andrew Dudman
- Music Producers Guild award nomination: Original Score Recording of the Year - Saltburn, recorded by Ashley Andrew-Jones and Nick Wollage, mixed by Nick Wollage, mastered by Cicely Balston
- Motion Picture Sound Editors Golden Reel Award winner: Outstanding Achievement in Music Editing – Feature Motion Picture: Wicked - Supervising Vocal Editor: Robin Baynton
- GRAMMY winner: Best Engineered Album, Non-Classical: Peter Gabriel, i/o - Engineers: Oli Jacobs, Katie May, Dom Shaw
2024
- GRAMMY nomination: Best Engineered Album, Non-Classical: Sabrina Carpenter, Short n' Sweet - Engineer: Oli Jacobs
- GRAMMY nomination: Best Engineered Album, Non-Classical: Peter Gabriel, i/o - Engineers: Oli Jacobs, Katie May, Dom Shaw
- GRAMMY nomination: Album of the Year: Taylor Swift, The Tortured Poets Department - Engineer/Mixer: Oli Jacobs
- GRAMMY nomination: Album of the Year: Sabrina Carpenter, Short n' Sweet - Engineer/Mixer: Oli Jacobs
- GRAMMY nomination: Record of the Year: The Beatles, Now and Then - Engineer/Mixer: Greg McAllister
- GRAMMY nomination: Record of the Year: Taylor Swift featuring Post Malone, Fortnight - Engineer/Mixer: Oli Jacobs
- Motion Picture Sound Editors Golden Reel Award nomination: Outstanding Achievement in Music Editing – Feature Motion Picture: Wicked - Supervising Vocal Editor: Robin Baynton
- BAFTA Cymru winner: Best Sound: Wolf - Re-recording Mixer: Kath Pollard
- BAFTA award nomination: Best Sound: Factual: The Enfield Poltergeist - Dialogue Supervisor: Jack Wensley
- Gramophone award nomination: Best Orchestral: Ravel Daphnis et Chloe, Sinfonia of London - Editor: Jonathan Cooper; Assistant Engineer: Alexander James.
- Gramophone award nomination: Best Choral: Parry Prometheus Unbound, Crouch End Festival Chorus and London Mozart Players - Engineer, Mastering: Jonathan Cooper; Assistant Engineer: Alexander James.
- Gramophone award nomination: Best Chamber: A Lionel Tertis Celebration, Timothy Ridout - Engineer, Mastering: Dave Rowell; Editing, Engineer, Mastering: Phil Rowlands.
- Rise Women in Broadcast Awards nomination: Production Support Engineer Award - Jen Paterson
- BAFTA Cymru nomination: Best Sound: Wolf - Re-recording Mixer: Kath Pollard
- EMMY award nomination: Outstanding Sound Mixing For A Limited Or Anthology Series Or Movie: Black Mirror Beyond The Sea - Re-recording Mixer: James Ridgeway
- EMMY award nomination: Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation: Ahsoka - Dialogue/ADR editor: James Spencer
- Music Producers Guild award winner: Dolby Atmos Mixer of the Year - Kirsty Whalley
- Music Producers Guild award winner: Original Score Recording of the Year - Glass Onion - Kirsty Whalley: Score Recording Engineer and Mixer, Wil Jones: Assistant Engineer
- Music Producers Guild award winner: Recording Engineer of the Year - Fiona Cruickshank
- Music Producers Guild award nomination: Dolby Atmos Mixer of the Year - Kirsty Whalley
- Music Producers Guild award nomination: Original Score Recording of the Year - Glass Onion - Kirsty Whalley: Score Recording Engineer and Mixer, Wil Jones: Assistant Engineer
- Music Producers Guild award nomination: Original Score Recording of the Year - Guillermo del Toro's Pinnochio - Kirsty Whalley: Score Mixer, Rebecca Hordern: Assistant Engineer, Lewis Morison: Music Editor
- Music Producers Guild award nomination: Original Score Recording of the Year - Barbie - Kirsty Whalley: Score Recording Engineer, Thomas Ashpitel: Assistant Engineer
- Music Producers Guild award nomination: Rising Star of the Year - Jess Camilleri
- Music Producers Guild award nomination: Recording Engineer of the Year - Kirsty Whalley
- Music Producers Guild award nomination: Recording Engineer of the Year - Fiona Cruickshank
2023
- Gramophone award winner: Best Concerto: Elgar Viola Concerto; Bloch Suite for Viola and Orchestra - Timothy Ridout, BBC Symphony Orchestra - Engineer, Mastering: Dave Rowell; Assistant Engineer: Katie Earl.
- Gramophone award winner: Best Opera: Tippett The Midsummer Marriage - London Philharmonic Orchestra & Chorus, English National Opera Chorus - Digital mixing: Deborah Spanton.
- Royal Television Society Young Technologist of the Year winner: Tatjana Radivoj, Audio Mix Technician, Sky
- Music Producers Guild award winner: Album of the Year - Oli Jacobs: Engineer
- Music Producers Guild award winner: Mastering Engineer of the Year - Cicely Balston
- Music Producers Guild award winner: Recording Engineer of the Year - Oli Jacobs
- GRAMMY winner: Best Engineered Recording, Non-Classical: Harry Styles, Harry's House - Engineer: Oli Jacobs
- GRAMMY winner: Album of the Year: Harry Styles, Harry's House - Engineer: Oli Jacobs
- Music Producers Guild award nomination: Album of the Year - Oli Jacobs: Engineer
- Music Producers Guild award nomination: Mastering Engineer of the Year - Cicely Balston
- Music Producers Guild award nomination: Recording Engineer of the Year - Oli Jacobs
- Music Producers Guild award nomination: Recording Engineer of the Year - Fiona Cruickshank
- Gramophone award nomination: Best Chamber: Coleridge-Taylor: Nonet; Piano Trio; Piano Quintet - Kaleidoscope Chamber Collective - Editing, Engineer, Recording producer: Jonathan Cooper; Assistant Engineer, Cover Photo, Photography: Alexander James.
- Gramophone award nomination: Best Chamber: Weinberg vol. 2 - Arcardia Quartet - Editing, Engineer, Recording producer: Jonathan Cooper; Assistant Engineer: Alexander James.
- Gramophone award nomination: Best Choral: An Old Belief - The Sixteen - Engineer: Mike Hatch.
- Gramophone award nomination: Best Choral: Magnificat 3 - Choir of St John's College - Engineer: Dave Rowell.
- Gramophone award nomination: Best Concerto: Elgar Viola Concerto; Bloch Suite for Viola and Orchestra - Timothy Ridout, BBC Symphony Orchestra - Engineer, Mastering: Dave Rowell; Assistant Engineer: Katie Earl.
- Gramophone award nomination: Best Contemporary: Fox Trostlieder - Exaudi - Engineer, Mastering, Editor: Dave Rowell.
- Gramophone award nomination: Best Contemporary: MacMillan Christmas Oratorio - London Philharmonic Orchestra - Engineer: Deborah Spanton.
- Gramophone award nomination: Best Contemporary: Phrases - Heloise Werner - Producer / Engineer: Brett Cox.
- Gramophone award nomination: Best Early Music: Byrd Psalmes, Songs and Sonnets - The Sixteen, Fretwork - Engineer: Mike Hatch.
- Gramophone award nomination: Best Early Music: Cristo Magnificat - Cupertinos - Engineer: Dave Rowell; Editing: Will Brown.
- Gramophone award nomination: Best Early Music: Lusitano Motets - The Marian Consort - Engineer, Recording Producer: Philip Hobbs.
- Gramophone award nomination: Best Opera: Tippett The Midsummer Marriage - London Philharmonic Orchestra & Chorus, English National Opera Chorus - Digital mixing: Deborah Spanton.
- Gramophone award nomination: Best Piano: Beethoven and Mozart - Paul Wee - Engineer, Post Production Mix: David Hinitt.
- Gramophone award nomination: Best Orchestral: Rachmaninov Symphony No 3 - Sinfonia of London - Editing: Jonathan Cooper; Assistant Engineer: Alexander James.
- Gramophone award nomination: Best Orchestral: Music for Strings - Sinfonia of London - Editing: Jonathan Cooper; Assistant Engineer: Alexander James.
- Gramophone award nomination: Best Voice and Ensemble: Rossini and Donizetti French Bel Canto Arias - Lisette Oropesa - Balance Engineer, Editing: Erdo Groot.
- Gramophone award nomination: Best Voice and Ensemble: A Shropshire Lad, English Songs Orchestrated by Roderick Wiliiams - Halle Orchestra - Balance Engineer: Steve Portnoi.
- Gramophone award nomination: Best Song: Complete Songs of Duparc - Sarah Connolly, Huw Montague Rendall, Nicky Spence, William Thomas, Malcolm Martineau - Engineer: Tom Lewington; Engineer: Andrew Mellor; Engineer: Dave Rowell.
2022
- GRAMMY nomination: Best Engineered Recording, Non-Classical: Harry Styles, Harry's House - Engineer: Oli Jacobs
- GRAMMY nomination: Album of the Year: Harry Styles, Harry's House - Engineer: Oli Jacobs
- Music Producers Guild award winner: Recording Engineer of the Year - Fiona Cruickshank
- Music Producers Guild award winner: Breakthrough Producer of the Year - Fiona Cruickshank
- Broadcast Tech Innovation award nomination: Excellence in Audio Post-Production (Scripted): Dead End Paranormal Park - Re-recording mixer and Sound designer: Cecile Janet
- Broadcast Tech Innovation award nomination: Young Talent of the Year (Post-production): Tom Nursey
- Motion Picture Sound Editors Golden Reel Award nomination: Outstanding Achievement in Sound Editing – Non-Theatrical Feature: Pinocchio - Dialogue Editor: James Spencer
- Mercury Award nomination: Harry Styles, Harry's House - Engineer: Oli Jacobs, Assistant Engineer: Katie May, Assistant Engineer: Oli Middleton
- Mercury Award nomination: Sam Fender, Seventeen Going Under - Engineer, Piano, Synthesiser: Mark Broughton
- Music Producers Guild award nomination: Album of the Year: Wolf Alice, Blue Weekend - Engineer: Iain Berryman
- Music Producers Guild award nomination: Album of the Year: Arlo Parks, Collapsed in Sunbeams - Engineer: Sam Petts-Davies
- Music Producers Guild award nomination: Original Score Recording of the Year: The Trial of the Chicago 7 - Engineer and Mixer: Sam Okell
- Music Producers Guild award nomination: Vocal Producer of the Year - Charlie Andrew
- Music Producers Guild award nomination: Recording Engineer of the Year - Fiona Cruickshank
- Music Producers Guild award nomination: Breakthrough Producer of the Year - Fiona Cruickshank
- GRAMMY nomination: Album of the Year: Taylor Swift, Evermore - Engineer: Robin Baynton
- Gramophone award nomination: Best Concerto: Brahms Piano Concerto no 1, Andras Schiff - Balance engineer: John Barrett.
- Gramophone award nomination: Best Contemporary: Barry Alice's Adventures Under Ground, Irish Chamber Orchestra - Mastering engineer: Mike Hatch.
- Gramophone award nomination: Best Early Music: Echoes of an Old Hall, Gothic Voices - Engineer, Recording Producer: Philip Hobbs.
- Gramophone award nomination: Best Instrumental: Bach Six Partitas, Mahan Esfahani - Engineer: David Hinitt.
- Gramophone award nomination: Best Instrumental: Camino, Sean Shibe - Engineer: Dave Rowell.
- Gramophone award nomination: Best Orchestral: Metamorphosen, Sinfonia of London - Engineer: Jonathan Cooper, Assistant Engineer, Editing: Alexander James.
- Gramophone award nomination: Best Song: On Wenlock Edge, Vaughan Williams - Engineer: Ben Connellan.
- Gramophone award nomination: Best Song: Chere Nuit, French Songs - Editing, Engineer, Recording Producer: Jonathan Cooper, Assistant Engineer: Patrick Friend.
- Gramophone award nomination: Best Spatial Audio: Ravel Ma Mere l'Oye - Editing: Jonathan Cooper, Assistant Engineer: Alexander James.
- Gramophone award nomination: Best Spatial Audio: Images, Anna Lapwood - Engineer: Mike Hatch, Assistant Engineer: Joshua Mannall.
- Gramophone award nomination: Best Spatial Audio: Labyrinths, Orchestra of the Swan - Engineer: Mike Hatch, Assistant Engineer: Joshua Mannall.
2021
- Gramophone award winner: Best Spatial Audio: The Golden Renaissance: Josquin des Prez - Engineer: Dave Rowell.
- Gramophone award winner: Best Opera: Britten Peter Grimes - Editing, Engineer: Jonathan Cooper.
- Gramophone award winner: Best Early Music: Josquin Masses - Engineer: Phillip Hobbs.
- Gramophone award winner: Best Concerto: Shostakovich Violin Concertos - Engineer: Erdo Groot.
- Gramophone award winner: Best Choral: Dussek Messe Solemnelle - Engineer, Mastering, Mixing: Andrew Mellor, Editing: Dave Rowell, Assistant Engineer: George Collins, Booklet Editor, Executive Producer, Layout, Liner Notes, Photography, Recording Producer: Alexander van Ingen.
- EMMY award nomination: Outstanding Sound Editing for a Nonfiction or Reality Program: The Social Dilemma - Dialogue Editor: James Spencer.
- EMMY award nomination: Outstanding Sound Editing for a Limited or Anthology Series, Movie or Special: WandaVision - ADR Editor: James Spencer.
- EMMY award nomination: Outstanding Sound Editing for a Comedy or Drama Series: The Mandalorian - ADR Editor: James Spencer.
- EMMY award nomination: Outstanding Sound Editing for a Comedy or Drama Series: The Falcon and the Winter Soldier - Dialogue Editor: James Spencer.
- Gramophone award nomination: Best Spatial Audio: Rachmaninov Symphony no 1 - Engineer: Andrew Mellor.
- Gramophone award nomination: Best Spatial Audio: The Golden Renaissance: Josquin des Prez - Engineer: Dave Rowell.
- Gramophone award nomination: Best Voice and Ensemble: Anima Rara - Editing, Engineer: Steve Portnoi.
- Gramophone award nomination: Best Orchestral: English Music for Strings - Editing: Jonathan Cooper, Assistant Engineer: Alex James.
- Gramophone award nomination: Best Orchestral: Respighi Feste Romane - Editing: Jonathan Cooper, Assistant Engineer: Alex James.
- Gramophone award nomination: Best Opera: Eccles Semele - Editing, Engineer, Mastering, Mixing: Dave Rowell, Assistant Engineer: Katie Earl, Assistant Engineer: James Waterhouse, Executive Producer, Liner Notes, Photography, Recording Producer: Alexander van Ingen.
- Gramophone award nomination: Best Opera: Dallapiccola Il Prigioniero - Mastering: Alex James.
- Gramophone award nomination: Best Opera: Britten Peter Grimes - Editing, Engineer: Jonathan Cooper.
- Gramophone award nomination: Best Piano: Jean-Efflam Bavouzet plays Sonatas by Clementi, Dussek, Hummel, Wolfl - Engineer: Jonathan Cooper, Assistant Engineer: Alex James.
- Gramophone award nomination: Best Instrumental: Bach The Well-Tempered Clavier 1 - Engineer: Phillip Hobbs.
- Gramophone award nomination: Best Early Music: The Sweetest Songs - Engineer, Mixing: David Hinitt, Editing, Mastering: Will Brown.
- Gramophone award nomination: Best Early Music: Machaut Lion of Nobility - Engineer: David Hinitt.
- Gramophone award nomination: Best Early Music: Josquin Masses - Engineer: Phillip Hobbs.
- Gramophone award nomination: Best Concerto: Shostakovich Violin Concertos - Engineer: Erdo Groot.
- Gramophone award nomination: Best Concerto: Poulenc Piano Concerto - Engineer: Dave Rowell.
- Gramophone award nomination: Best Choral: Smyth The Prison - Mastering: Alex James.
- Gramophone award nomination: Best Choral: Dussek Messe Solemnelle - Engineer, Mastering, Mixing: Andrew Mellor, Editing: Dave Rowell, Assistant Engineer: George Collins, Booklet Editor, Executive Producer, Layout, Liner Notes, Photography, Recording Producer: Alexander van Ingen.
- Gramophone award nomination: Best Chamber: Mozart Gran Partita, Simpson Geysir - Balance Engineer: Andrew Mellor.
- BAFTA winner: Best Sound - Fiction: His Dark Materials - Re-recording mixer: James Ridgway.
- Motion Picture Sound Editors Golden Reel Award winner: Outstanding Achievement in Sound Editing – Feature Documentary: The Reason I Jump - Sound Effects Editors: Laurence Love Greed, Jack Wensley.
- Motion Picture Sound Editors Golden Reel Award winner: Outstanding Achievement in Sound Editing - Episodic Short Form – Dialogue/ADR: Mandalorian S2: Chapter 13: The Jedi - ADR Editor: James Spencer.
2020
- Music Producers Guild nomination: UK Producer of the year - Ben Hillier
- Music Producers Guild nomination: Mastering engineer of the year - Cicely Balston
- Music Producers Guild nomination: UK Writer-Producer of the year - Ben Hillier
- AudioUK Audio Production Award winner: Best Arts Producer: 'Have You Heard George’s Podcast?' - Producer: Paul Carter (Benbrick).
- AudioUK Audio Production Award winner: Best Podcast Producer: 'Have You Heard George’s Podcast?' - Producer: Paul Carter (Benbrick).
- AudioUK Audio Production Award winner: Best Sound Designer: 'Have You Heard George’s Podcast?' - Producer: Paul Carter (Benbrick).
- Gramophone award winner: Best Concerto: Chopin Piano Concertos: Benjamin Grosvenor / Elim Chan / Royal Scottish National Orchestra - Assistant Engineer: Hedd Peter Morfett-Jones.
- Gramophone award winner: Best Solo Vocal: Janacek The Diary of One Who Disappeared, Moravian Folksongs, Rikadla: Nicky Spence / Julius Drake - Engineer: Ben Connellan.
- EMMY award winner: Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation: The Mandalorian, Chapter 1 - Dialogue Editor: James Spencer.
- Gramophone award nomination: Best Choral: Handel Samson: John Butt / Dunedin Consort - Assistant Engineer: Rob Cambridge, Engineer, Recording Producer: Philip Hobbs.
- Gramophone award nomination: Best Choral: Parry Judith: Sarah Fox / Kathryns Rudge / Toby Spence / Henry Waddington / Crouch End Festival Chorus / London Mozart Players / William Vann - Engineer, Mastering: Jonathan Cooper.
- Gramophone award nomination: Best Concerto: Chopin Piano Concertos: Benjamin Grosvenor / Elim Chan / Royal Scottish National Orchestra - Assistant Engineer: Hedd Peter Morfett-Jones.
- Gramophone award nomination: Best Concerto: Mozart Piano Concertos, Vol. 4: Jean-Efflam Bavouzet / Gabor Takács-Nagy / Manchester Camerata - Engineer: Jonathan Cooper, Assistant Engineer: James Waterhouse.
- Gramophone award nomination: Best Instrumental: Alkan Symphony and Concerto for Solo Piano: Paul Wee - Editing, Engineer: David Hinitt.
- Gramophone award nomination: Best Instrumental: Brahms The Final Piano Pieces: Stephen Hough - Engineer: David Hinitt.
- Gramophone award nomination: Best Instrumental: Prokofiev Piano Sonatas 6, 7 and 8: Steven Osborne - Engineer: David Hinitt.
- Gramophone award nomination: Best Opera: Gluck Orfei ed Euridice: Sophie Bevan / Iestyn Davies / David Bates / La Nuova Musica - Engineer: David Hinitt.
- Gramophone award nomination: Best Orchestral: Korngold Symphony in F sharp, Theme and Variations, Straussiana: John Wilson / Sinfonia of London - Assistant Engineer, Editing: Jonathan Cooper.
- Gramophone award nomination: Best Recital: Clytemnestra: Ruby Hughes / BBC National Orchestra of Wales / Jac van Steen - Editing: Jeffrey Ginn.
- Gramophone award nomination: Best Recital: Elegy Purcell and Blow: Iestyn Davies / James Hall / Robert King / The King's Consort - Engineer, Recording Producer: David Hinitt, Assistant Engineer: James Waterhouse.
- Gramophone award nomination: Best Recital: Arianna: Kate Lindsey / Arcangelo / Jonathan Cohen - Engineer: David Hinitt.
- Gramophone award nomination: Best Recital: Handelâs Queens Cuzzoni and Faustina: Mary Bevan / Lucy Crowe / Bridget Cunningham - Engineer: Mike Hatch, Engineer: Andrew Mellor, Assistant Engineer: Thomas Mungall.
- Gramophone award nomination: Best Solo Vocal: Janacek The Diary of One Who Disappeared, Moravian Folksongs, Rikadla: Nicky Spence / Julius Drake - Engineer: Ben Connellan.
- Gramophone award nomination: Best Solo Vocal: Schubert Schwanengesang, Brahms Vier ernste Gesänge: Julius Drake / Gerald Finley - Engineer: Ben Connellan.
- Motion Picture Sound Editors Golden Reel Award nomination: Outstanding Achievement in Sound Editing – Sound Effects, Foley, Dialogue and ADR for Animated Feature Film: Over the Moon - Music Editor: Bradley Farmer
- Motion Picture Sound Editors Golden Reel Award nomination: Outstanding Achievement in Sound Editing – Feature Documentary: The Reason I Jump - Sound Effects Editors: Laurence Love Greed, Jack Wensley.
- Motion Picture Sound Editors Golden Reel Award nomination: Outstanding Achievement in Sound Editing - Episodic Short Form – Dialogue/ADR: Mandalorian S2: Chapter 13: The Jedi - ADR Editor: James Spencer.
- Motion Picture Sound Editors Golden Reel Award nomination: Outstanding Achievement in Sound Editing – Feature Documentary - The Social Dilemma: Dialogue editor - James Spencer.
- Motion Picture Sound Editors Golden Reel Award nomination: Outstanding Achievement in Sound Editing – Feature Documentary: The Reason I Jump - Sound Effects Editors: Laurence Love Greed, Jack Wensley.
- Motion Picture Sound Editors Golden Reel Award nomination: Outstanding Achievement in Sound Editing – Feature Animation: Over the Moon (Netflix): Dialogue editor - James Spencer.
- Motion Picture Sound Editors Golden Reel Award nomination: Outstanding Achievement in Sound Editing - Episodic Short Form – Dialogue/ADR: Mandalorian S2: Chapter 13: The Jedi - ADR Editor: James Spencer.
- Motion Picture Sound Editors Golden Reel Award nomination: Outstanding Achievement in Sound Editing - Episodic Long Form – Music / Musical - Raised by Wolves: "Pilot": Music editor - Lewis Morison.
- Mercury Prize nomination: Dua Lipa, Future Nostalgia - Peter Kelleher: Composer, Synthesiser.
- Mercury Prize nomination: Georgia, Seeking Thrills - Hinako Omori: Keyboards.
- Mercury Prize nomination: Porridge Radio, Every Bad - Oliver Barton-Wood: Mixing.
- EMMY award nomination: Outstanding Music Supervision: Killing Eve, Meetings Have Biscuits - Music Supervisor: Catherine Grieves.
- EMMY award nomination: Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation: The Mandalorian, Chapter 1 - Dialogue Editor: James Spencer.
- BAFTA nomination: Best Sound - Fiction: His Dark Materials - Re-recording mixer: James Ridgway.
2019
- Motion Picture Sound Editors Golden Reel Award winner: Best editing on Feature Animation: Toy Story 4 - Foley Editor: James Spencer.
- Motion Picture Sound Editors Golden Reel Award winner: Best editing on Feature Musical: Rocketman - Music Editor: Andy Patterson.
- Motion Picture Sound Editors Golden Reel Award nomination: Best editing on a Special Venue presentation: Avengers: Damage Control - Dialogue Editor: James Spencer.
- Motion Picture Sound Editors Golden Reel Award nomination: Best music/musical editing in episodic long form: Dark - Music Editor: Lewis Morison.
- Motion Picture Sound Editors Golden Reel Award nomination: Best dialogue/ADR in episodic short form: The Mandalorian - Dialogue Editor: James Spencer.
- Motion Picture Sound Editors Golden Reel Award nomination: Best editing on Feature Animation: Toy Story 4 - Foley Editor: James Spencer.
- Motion Picture Sound Editors Golden Reel Award nomination: Best editing on Feature Musical: Rocketman - Music Editor: Andy Patterson.
- GRAMMY nomination: Song of the year: Lewis Capaldi, Someone You Loved - Songwriter: Pete Kelleher.
- GRAMMY nomination: Best dance recording: Meduza ft. Goodboys, Piece of Your Heart - Songwriter: Conor Manning.
- Gramophone award winner: Best Early Music: Cardoso Requiem, Lamentations, Magnificat & Motets: Cupertinos / Luis Toscano - Engineer: Dave Rowell.
- HMM award winner: Outstanding Music Supervision - Television: Killing Eve - Music Supervisor: Catherine Grieves.
- Gramophone award nomination: Best Chamber: Britten String Quartets / Purcell Fantasias: Doric String Quartet - Engineer, Editing, Recording Producer: Jonathan Cooper, Assistant Engineer: Rosanna Fish.
- Gramophone award nomination: Best Choral: Elgar The Music Makers: BBC Symphony Orchestra & Chorus - Assistant Engineer: Jonathan Cooper, Assistant Engineer: Rosanna Fish.
- Gramophone award nomination: Best Choral: Handel Ode for St. Cecilia's Day: Polish Radio Choir / Dunedin Consort - Engineer: Rob Cammidge, Engineer & Recording Producer, Philip Hobbs.
- Gramophone award nomination: Best Choral: A Rose Magnificat: Gabrieli Consort - Editor: Will Brown.
- Gramophone award nomination: Best Concerto: Crusell Clarinet Concertos: Michael Collins / Swedish Chamber Orchestra - Editing: Jonathan Cooper.
- Gramophone award nomination: Best Contemporary: Watkins Flute Concerto, Violin Concerto, Symphony: Adam Walker / Alina Ibragimova / BBC Symphony Orchestra / Halle Orchestra - Engineering, Mastering: Steve Portnoi.
- Gramophone award nomination: Best Early Music: : Byrd One Byrd in Hande: Richard Egarr - Engineer, Recording Producer: Philip Hobbs.
- Gramophone award nomination: Best Early Music: Cardoso Requiem, Lamentations, Magnificat & Motets: Cupertinos / Luis Toscano - Engineer: Dave Rowell.
- Gramophone award nomination: Best Early Music: Dufay The Dufay Spectacle: Gothic Voices - Engineer, Recording Producer: Philip Hobbs: .
- Gramophone award nomination: Best Early Music: Dufay Lament for Constantinople: Orlando Consort - Engineer: David Hinitt.
- Gramophone award nomination: Best Early Music: Josquin Masses Gaudeamus, L'ami Baudichon: Peter Phillips / The Tallis Scholars - Engineer: Philip Hobbs.
- Gramophone award nomination: Best Instrumental: Beethoven Piano Sonatas: Steven Osborne - Engineer: David Hinitt.
- Gramophone award nomination: Best Opera: Adams Doctor Atomic: BBC Singers / BBC Symphony Orchestra - Assistant Engineer: Joe Yon.
- Gramophone award nomination: Best Opera: Mozart in London: The Mozartists / Ian Page - Editing, Engineer, Mastering, Mixing, Producer: Andrew Mellor, Assistant Engineer: Brett Cox, Assistant Engineer: Claire Hay.
- Gramophone award nomination: Best Solo Vocal: Liszt The Complete Songs, Vol. 5: Allan Clayton / Julius Drake - Engineer: Ben Connellan.
2018
- Motion Picture Sound Editors Golden Reel nomination: Outstanding achievement in Sound Editing - Musical: Mary Poppins Returns - Music Editor: Lewis Morison, Scoring Editor: Fiona Cruickshank.
- Motion Picture Sound Editors Golden Reel nomination: Outstanding achievement in Sound Editing - Episodic Short Form - Music / Musical: The Alienist "A Fruitful Partnership" - Music Editor: Fiona Cruickshank.
- Motion Picture Sound Editors Golden Reel nomination: Outstanding achievement in Sound Editing - Episodic Short Form - Music / Musical: Fortitude "Season 3, Episode 4" - Music Editor: Lewis Morison.
- Motion Picture Sound Editors Golden Reel nomination: Outstanding achievement in Sound Editing - Single Presentation: King Lear - Music Editor: Lewis Morison.
- BAFTA Cymru award winner: Original Music: Keeping Faith / Un Bore Mercher - Composer: Laurence Love Greed.
- EMMY award winner: Outstanding Sound Editing for a Limited Series, Movie or Special: Black Mirror, USS Callister - Dialogue Editor: Matthew Skelding.
- Woman's Hour 2018 Power List: Olga FitzRoy.
- Gramophone award nomination: Best Chamber: Bartok Complete String Quartets: Heath Quartet - Engineer: Chris Kalcov, Session Producer: Dave Rowell, Editing & Session Producer: Alex van Ingen.
- Gramophone award nomination: Best Choral: Bach Magnificats: Arcangelo - Engineer: David Hinitt.
- Gramophone award nomination: Best Choral: Monteverdi The Other Vespers: I Fagiolini - Editing & Engineer: Andrew Mellor, Editing: Claire Hay.
- Gramophone award nomination: Best Concerto: Grieg Piano Concerto: Jean-Efflam Bavouzet / Bergen Philharmonic Orchestra - Editing: Jonathan Cooper.
- Gramophone award nomination: Best Contemporary: Reich Pulse / Quartet: Colin Currie Group / International Contemporary Ensemble - Engineer: Mike Hatch.
- Gramophone award nomination: Best Early Music: Ludford: Choir of Westminster Abbey - Engineer: David Hinitt.
- Gramophone award nomination: Best Early Music: Machaut Sovereign Beauty: Orlando Consort - Engineer: David Hinitt.
- Gramophone award nomination: Best Early Music: Parle Qui Veut: Sollazzo Ensemble - Engineer & Producer: Philip Hobbs.
- Gramophone award nomination: Best Opera: Mozart Il Sogno di Scipione: Classical Opera Orchestra - Editing, Engineer, Mastering, Mixing, Producer: Andrew Mellor, Editing: Claire Hay, Assistant Engineer: Chris Kalcov.
- Gramophone award nomination: Best Recital: Espoir: Halle Orchestra - Editing & Engineer: Steve Portnoi.
- Gramophone award nomination: Best Recital: Echo: Halle Orchestra - Editing & Engineer: Steve Portnoi.
- Gramophone award nomination: Best Solo Vocal: Debussy Songs: Lucy Crowe / Malcolm Martineau - Engineer: Andrew Mellor.
- Gramophone award nomination: Best Solo Vocal: Faure Complete Songs vol 2: Malcolm Martineau - Editing, Engineer & Producer: Andrew Mellor, Assistant Engineer & Editing: Claire Hay.
- Gramophone award nomination: Best Solo Vocal: Voyages: Mary Bevan / Joseph Middleton - Engineer: Mike Hatch, Recording Assistant: Michael Gerrard.
- Mercury Prize nomination: Nadine Shah, Holiday Destination: Producer & Musician - Ben Hillier.
- Mercury Prize nomination: Everything is Recorded, Everything is Recorded: Assistant - Hal Robinson.
2017
- GRAMMY winner: Best Pop Vocal Album: Ed Sheeran, Divide - Engineer: Joe Rubel.
- Gramophone award winner: Best Baroque Vocal: JS Bach Cantatas: Iestyn Davies / Jonathan Cohen / Arcangelo - Engineer: David Hinitt.
- Gramophone award winner: Best Chamber: Bacewicz Complete String Quartets: Silesian Quartet - Mastering: Rosanna Fish.
- Gramophone award winner: Best Early Music: Dowland Lachrimae, or Seaven Teares: Phantasm with Elizabeth Kenny - Engineer, Producer: Philip Hobbs.
- Emmy award winner: Outstanding Sound Mixing for a Nonfiction Program (Single or Multi-Camera): The Beatles Eight Days a Week - Music mixer: Sam Okell.
- Gramophone award nomination: Best Baroque Vocal: JS Bach Cantatas: Iestyn Davies / Jonathan Cohen / Arcangelo - Engineer: David Hinitt.
- Gramophone award nomination: Best Baroque Vocal: S Bach St Matthew Passion: Monteverdi Choir; English Baroque Soloists / Sir John Eliot Gardiner - Engineer, Mastering, Mixing: Mike Hatch.
- Gramophone award nomination: Best Chamber: Bacewicz Complete String Quartets: Silesian Quartet - Mastering: Rosanna Fish.
- Gramophone award nomination: Best Chamber: Bruch Two String Quintets. String Octet: The Nash Ensemble - Engineer, Producer: Phil Rowlands.
- Gramophone award nomination: Best Chamber: Schubert String Quartets â No 12, 'Quartettsatz', D703; No 15, D887: Doric Quartet - Producer: Jonathan Cooper, Engineer assistant: Rosanna Fish.
- Gramophone award nomination: Best Choral: Elgar. Bax 'For the Fallen': Hallé Choir and Orchestra / Sir Mark Elder - Engineer, Producer: Steve Portnoi.
- Gramophone award nomination: Best Concerto: Adams. Harris Violin Concertos: Tamsin Waley-Cohen / BBC Symphony Orchestra / Andrew Litton - Engineer: Mike Hatch.
- Gramophone award nomination: Best Concerto: Beach. Chaminade. Howell 'The Romantic Piano Concerto, Vol 70': Danny Driver / BBC Scottish Symphony Orchestra / Rebecca Miller - Assistant Engineer: Robin Hawkins.
- Gramophone award nomination: Best Concerto: Lalo Symphonie espagnole Tchaikovsky Violin Concerto: Augustin Hadelich / London Philharmonic Orchestra / Vasily Petrenko, Omer Meir Wellber - Engineer: Andrew Mellor.
- Gramophone award nomination: Best Contemporary: MacMillan Stabat mater: The Sixteen: Britten Sinfonia / Harry Christophers - Engineer: Mike Hatch.
- Gramophone award nomination: Best Early Music: Dowland Lachrimae, or Seaven Teares: Phantasm with Elizabeth Kenny - Engineer, Producer: Philip Hobbs.
- Gramophone award nomination: Best Early Music: 'Music for the 100 Years' War': The Binchois Consort / Andrew Kirkman - Engineer: Andrew Mellor.
- Gramophone award nomination: Best Instrumental: Chopin Mazurkas: Pavel Kolesnikov - Engineer: David Hinitt.
- Gramophone award nomination: Best Orchestral: Sibelius Symphonies Nos 3, 6 & 7: Minnesota Orchestra / Osmo Vanska - Editing: Jeffrey Ginn.
- Gramophone award nomination: Best Orchestral: Tchaikovsky Symphony No 6. Romeo and Juliet: Czech Philharmonic Orchestra / Semyon Bychkov - Executive Producer: Alex van Ingen.
- Gramophone award nomination: Best Recital: 'Come all ye songsters': Carolyn Sampson / Elizabeth Kenny / Jonathan Manson / Laurence Cummings - Engineer: Steve Portnoi.
- Gramophone award nomination: Best Recital: 'Where'er You Walk': Allan Clayton / Mary Bevan / The Choir and Orchestra of Classical Opera / Ian Page - Engineer, Producer: Andrew Mellor, Assistant Engineer: Claire Hay.
- Gramophone award nomination: Best Solo Vocal: Krenek Reisebuch aus den Osterreichischen Alpen, etc: Florian Boesch / Roger Vignoles - Engineer: Andrew Mellor.
- Gramophone award nomination: Best Solo Vocal: Sibelius 'In the Stream of Life': Gerald Finley / Bergen Philharmonic Orchestra / Edward Gardner - Editing: Jonathan Cooper.
- Mercury Prize nomination: Alt-J, Relaxer - Producer: Charlie Andrew.
- Mercury Prize nomination: Ed Sheeran, Divide - Engineer: Joe Rubel.
- Mercury Prize nomination: The Big Moon, Love in the 4th Dimension - Engineer: George Murphy.
- Emmy nomination: Outstanding Sound Editing for a Limited Series, Movie or Special: Sherlock The Lying Detective - Music editor: Rael Jones.
- Emmy nomination: Outstanding Sound Mixing for a Nonfiction Program (Single or Multi-Camera): The Beatles Eight Days a Week - Music mixer: Sam Okell.
- Emmy nomination: Outstanding Sound Mixing for a Limited Series or Movie: Sherlock The Lying Detective - Music mixer: Nick Wollage.
- Emmy nomination: Outstanding Music Composition for a Limited Series, Movie or Special (Original Dramatic Score): Suite Francais - Composer: Rael Jones.
- Debrett's list of 500 most influential people in the UK: Charlie Andrew.
- Music Producers Guild Engineer of the Year nominee: Brett Cox.
2016
- Pro Sound Awards winner: Rising Star: George Murphy
- Gramophone award nomination: Best Baroque Instrumental: Lawes The Royal Consort Phantasm (Linn) - Producer, Recording: Philip Hobbs.
- Gramophone award nomination: Best Baroque Vocal: JS Bach Magnificat in E flat etc Dunedin Consort / John Butt (Linn) - Producer, Engineer: Philip Hobbs; Assistant Engineer: Rob Cammidge.
- Gramophone award nomination: Best Chamber: Bruckner String Quintet. String Quartet Fitzwilliam Quartet; James Boyd (Linn) - Producer, Engineer: Philip Hobbs.
- Gramophone award nomination: Best Choral: Bliss Morning Heroes etc BBC SO & Chorus / Sir Andrew Davis (Chandos) - Editing: Robert Gilmour.
- Gramophone award nomination: Best Choral: Howells Collegium Regale etc Trinity College Choir, Cambridge / Stephen Layton (Hyperion) - Engineer: David Hinitt.
- Gramophone award nomination: Best Choral: 'Amuse-Bouche' I FagiolinI / Robert Hollingworth (Decca) - Executive Producer: Alex van Ingen; Engineer, Recording Editor: Andrew Mellor.
- Gramophone award nomination: Best Choral: 'Poetry in Music' The Sixteen / Harry Christophers (Coro) - Engineer: Mike Hatch.
- Gramophone award nomination: Best Concerto: Bartók Violin Concerto No 1 Brahms Violin Concerto Janine Jansen; LSO, Santa Cecilia Orch / Sir Antonio Pappano (Decca) - Executive Producer: Alex van Ingen.
- Gramophone award nomination: Best Contemporary: Anderson In Liebliche Bläue, Alleluia etc LPO / Vladimir Jurowski (LPO) - Engineer: Deborah Spanton.
- Gramophone award nomination: Best Early Music: Compère Magnificat, motets & chansons Orlando Consort (Hyperion) - Engineer: David Hinitt.
- Gramophone award nomination: Best Early Music: Jacquet of Mantua Missa Surge Petre & Motets Brabant Ensemble / Stephen Rice (Hyperion) - Engineer: Phil Rowlands.
- Gramophone award nomination: Best Early Music: 'Scattered Ashes' Magnificat / Philip Cave (Linn) - Engineer, Producer: Philip Hobbs.
- Gramophone award nomination: Best Instrumental: Brahms Solo Piano, Vol 3 Jonathan Plowright (BIS) - Engineer, Editing: Jeffrey Ginn.
- Gramophone award nomination: Best Instrumental: Grieg Lyric Pieces Stephen Hough (Hyperion) - Engineer: David Hinitt.
- Gramophone award nomination: Best Opera: Donizetti Les martyrs Sir Mark Elder (Opera Rara) - Assistant Engineer: Emily Merron.
- Gramophone award nomination: Best Orchestral: Casella Orch Works, Vol 4 BBC PO / Gianandrea Noseda (Chandos) - Editing: Jonathan Cooper.
- Gramophone award nomination: Best Orchestral: Elgar Symphony No 1 Staatskapelle Berlin / Daniel Barenboim (Decca) - Executive Producer: Alex van Ingen.
- Gramophone award nomination: Best Recital: âArie Napoletaneâ Max Emanuel Cencic; Il Pomo D'Oro / Maxim Emelyanyachev (Decca) - Executive Producer: Alex van Ingen.
- Gramophone award nomination: Best Recital: âScene!â Christiane Karg, Arcangelo / Jonathan Cohen (Berlin Classics) - Engineer: David Hinitt.
- Emmy winner: News and Documentary Emmy - Outstanding Sound and Music: Nature - The Last Orangutan Eden - Composer: David Mitcham.
- Emmy nomination: Outstanding Sound Mixing For A Limited Series Or Movie: Sherlock, The Abominable Bride - Music mixer: Nick Wollage.
- Emmy nomination: Outstanding Sound Editing For A Limited Series, Movie Or Special: Sherlock, The Abominable Bride - Music editor: Rael Jones.
- BRIT UK Producer of the Year winner: Charlie Andrew.
- Music Producers Guild UK Producer of the Year winner: Charlie Andrew.
- Music Producers Guild Engineer of the Year winner: Olga FitzRoy.
- Music Producers Guild Breakthrough Engineer of the Year winner: Brett Cox.
- BAFTA nomination: Best Sound - Factual: la Traviata: Love, Death and Divas - Music engineer: Mike Hatch.
- GRAMMY nomination: Best Classical Surround Sound: Paavo Jarvi, Shostakovich Symphony No. 7 - Engineering: Erdo Groot.
2015
- Music Producers Guild UK Producer of the Year nomination: Charlie Andrew.
- Music Producers Guild Engineer of the Year nomination: Olga FitzRoy.
- Music Producers Guild Breakthrough Engineer of the Year nomination: Brett Cox.
- BAFTA winner: Best Sound - Factual: Messiah at the Foundling Hospital - Music engineer: Mike Hatch.
- Latin GRAMMY winner: Best Rock Album: Molotov, Agua Maldita - Album Mixer: Adam Noble.
- GRAMMY nomination: Best Alternative Music Album: Alt-J, This is All Yours - Engineer, Mixer, Producer, Programmer: Charlie Andrew; Assistant, Engineer, Guitar: Brett Cox.
- GRAMMY nomination: Best Choral Performance: Dunedin Consort, Mozart Requiem - Engineer, Producer: Philip Hobbs; Assistant Engineer: Rob Cammidge.
- BRIT nomination: Best British Album: Alt-J, This is All Yours - Engineer, Mixer, Producer, Programmer: Charlie Andrew; Assistant, Engineer, Guitar: Brett Cox.
- Gramophone award winner: Best Choral: BBC Symphony Orchestra and Chorus, Elgar Dream of Gerontius - Editor: Jonathan Cooper.
- Gramophone award winner: Best Recital: Carolyn Sampson, A French Baroque Diva - Engineer: David Hinitt.
2014
- Music Producers Guild Breakthrough Engineer of the Year nomination: Olga FitzRoy.
- Pro Sound News Award winner: Studio Engineer of the Year: Andrew Dudman
- Emmy nomination: Outstanding Sound Mixing For A Comedy Or Drama Series (Half-Hour) And Animation: Veep - Re-recording mixer: Richard Davey.
- Emmy winner: Outstanding Music Composition For A Miniseries, Movie Or A Special (Original Dramatic Score): Sherlock - Composer: Michael Price.
- Oscar winner: Best Sound Mixing: Gravity - Sound re-recording mixer / music editor: Christopher Benstead.
- Oscar winner: Best Original Score: Gravity - Assistant music editor: Robin Baynton; Music editor: Christopher Benstead; Score mixer / score recordist: Andrew Dudman; Score mixer / score recordist: Toby Hulbert; Score mixer / score recordist: Matt Jones; Score mixer / score recordist: Sam Okell.
- Oscar nominations: there were 25 credits for Tonmeister graduates on Oscar nominated films this year.
- BAFTA winner: Best Sound: Gravity - Music editor: Christopher Benstead.
- BAFTA winner: Best Original Music: Gravity - Assistant music editor: Robin Baynton; Music editor: Christopher Benstead; Score mixer / score recordist: Andrew Dudman; Score mixer / score recordist: Toby Hulbert; Score mixer / score recordist: Matt Jones; Score mixer / score recordist: Sam Okell.
2013
- Mercury Prize nomination: Laura Marling, Once I Was An Eagle - Additional Production & Engineer: Dom Monks.
- Gramophone award winner: Best Baroque vocal: Monteverdi Choir, Bach Motets - Engineer: Mike Hatch, Assistant Engineer: Brett Cox.
- Gramophone award winner: Best Instrumental: Steven Osborne, Mussorgsky and Prokofiev - Engineer: David Hinitt.
- Gramophone award winner: Best Orchestral: BBC Symphony Orchestra, Suk A Summerâs Tale / Prague - Editing: Jon Cooper.
- Sony Radio Award winner: Best Station Imaging for BBC Radio 2 - Composer: Ollie Melville-Smith.
- Oscar nominations: there were 28 credits for Tonmeister graduates on Oscar nominated films this year.
- Music+Sound Award winner: Best Composition in a Television Programme: Sherlock - Composer: Michael Price.
- Cinema Audio Society Award winner: Outstanding Achievement in Sound Mixing for a Motion Picture â Animated: Brave - Score mixer / score recordist: Andrew Dudman, Music Editor UK: Chris Benstead, Additional assistant music engineer: Fiona Cruickshank.
- Motion Picture Sound Editors Golden Reel winner: Best sound editing - Music in a Musical Feature Film: Les Miserables - Music Editors: James Bellamy, Rob Houston, Rael Jones.
- BAFTA winner: Original Film Music: Skyfall - Additional source music / music editor: Tony Lewis, Technical coordination: Lewis Morison.
- BAFTA winner: Sound: Les Miserables - Music editor: James Bellamy, Assistant engineer: Fiona Cruickshank, Assistant engineer: Olga Fitzroy, Assistant music supervisor: Catherine Grieves, Music editor: Rob Houston, Additional orchestrator / music editor / programmer: Rael Jones, Additional engineer: Sam Okell, Assistant engineer: Paul Pritchard, Music editor and programmer: Matt Robertson.
- Music Producers Guild Breakthrough Producer of the Year winner: Charlie Andrew.
2012
- GRAMMY winner: Album of the Year: Mumford & Sons, Babel - Engineer: Robin Baynton.
- Brass Band World award winner: CD of the Year: Foden's Band, Masquerade - Engineer: Melissa Dee.
- Mercury Prize winner: Alt-J, An Awesome Wave - Composer, Producer: Charlie Andrew.
- Gramophone award winner: Best Choral Recording: Howells, Requiem - Engineer: David Hinitt.
2011
- GRAMMY winner: Album of the Year: Adele, 21 - Producer / Mixing: Jim Abbiss.
- GRAMMY winner: Best Historical Album: Paul McCartney, Band on the Run - Mastering engineer: Sam Okell.
- GRAMMY winner: Best Choral Performance: Eric Whitacre, Light & Gold - Engineer / Mixer: Andrew Mellor.
- BAFTA winner: Best Sound - Factual: Elgar - the man behind the mask - Paul Paragon and Mike Hatch.
2010
- GRAMMY winner: Best Historical Album: The Beatles, Original Studio Recordings - Mastering engineer: Sam Okell.
- GRAMMY winner: Best Classical Contemporary Composition: London Philharmonic Orchestra, Higdon Percussion Concerto - Producer, Editor & Mixer: Mark Rogers.
- Gramophone award winner: Best Orchestral Recording: Royal Liverpool Philharmonic, Shostakovich Symphony No. 10 - Engineer: Phil Rowlands, Assistant Engineer: Deborah Spanton.
2009
- GRAMMY winner: Best Classical Vocal Performance: Renee Fleming, Verismo Arias - Engineer / Mixer: Mike Hatch.
- GRAMMY nomination: Best Engineered Album, Non Classical: Ray LaMontagne, Gossip in the Grain - Engineer: Dominic Monks.
- Motion Picture Sound Editors Golden Reel winner: Best sound editing - Music in a Musical Feature Film: Mamma Mia - Music editor: Tony Lewis.
2007
- Brit winner: Best British Album: Arctic Monkeys, Whatever People Say I Am, That's What I'm Not - Engineering / Producer: Jim Abbiss, Assistant Engineer: Henry Heselton.
- Franz Liszt International Grand Prix du Disque: Thomas Hitzlberger, Sonatas & Metamorphoses - Engineer / Editor: Mark Rogers.
- BAFTA winner: Best Sound - Factual: War Oratorio - Paul Paragon and Mike Hatch.
2006
- Mercury Prize winner: Arctic Monkeys, Whatever People Say I Am, That's What I'm Not - Engineering / Producer: Jim Abbiss, Assistant Engineer: Henry Heselton.
2005
- Gramophone award winner: Best Early Music Recording: The Tallis Scholars, Browne - Music from the Eton Choir Book - Engineer: Philip Hobbs, Producer: Steven C. Smith.